Posts Tagged material cultures
Proposals are invited for the 2015 British Association for Romantic Studies international conference which will be held at Cardiff University, Wales (UK) on 16–19 July 2015. The theme of the interdisciplinary conference is Romantic Imprints, broadly understood to include the various literary, cultural, historical and political manifestations of Romantic print culture across Europe, the Americas and the rest of the world. Our focus will fall on the ways in which the culture of the period was conscious of itself as functioning within and through, or as opposed to, the medium of print. The conference location in the Welsh capital provides a special opportunity to foreground the Welsh inflections of Romanticism within the remit of the conference’s wider theme. The two-hundredth anniversary of Waterloo also brings with it the chance of thinking about how Waterloo was represented within and beyond print.
The confirmed keynote speakers for Romantic Imprints will be John Barrell (Queen Mary, London), James Chandler (Chicago), Claire Connolly (Cork), Peter Garside (Edinburgh) and Devoney Looser (Arizona State).
The conference is open to various forms of format: we encourage proposals for special open-call sessions and for themed panels of invited speakers as well as individual proposals for the traditional 20-minute paper. Subjects covered might include:
- Nation and print: the British archipelago; cities of print; transatlantic and transnational exchanges; Romantic cosmopolitanism and print; translation; landscape and/in print; Wales and its Romantic contexts; national (especially Welsh) patterns of influence and exchange in the international context.
- Producing and consuming print: Romantic readerships; publishers; circulating print; legislation, copyright and print; technologies of print; plagiarism, forgery and piracy; popular and subaltern cultures of print; periodicals and journalism; gender and genre; print as new and old, ephemeral and collectable objects; print beyond reading (paper money, cards, etc.); the fate of print as ‘rubbish’.
- Intertextual exchanges: politics and print (e.g. revolution and radicalism, war, Napoleon, Waterloo); satire and parody; science and print culture; performance and print; Romantic visual cultures (including art and illustration); representations of print and printing; fashion; adaptation and remediation; the Romantic essay; print and its others – epitaphs, manuscripts, marginalia, etc.; print and imprint as Romantic metaphor or ideology; popular pastimes.
- Textual scholarship: editing texts; bibliography and book history; manuscripts, correspondence and diaries; analysis and quantification; digital humanities.
- Romantic legacies: physical traces and imprints; architecture; Romantic antiquarianism; Victorian Romanticism; Romanticism and modernity; Romanticism and new media; Romantic biography; lives in print; Romantic afterlives; celebrity and print; adapting the Romantics (film, art, literature).
Format of conference proposals
- Traditional 20-minute paper proposals (250-word abstracts), submitted individually.
- Poster presentations showcasing innovative projects or digital outputs (250-word abstracts), submitted individually.
- Proposals for open-call sessions (350-word descriptions of potential session, outlining its importance and relevance to the conference theme). Accepted open-call sessions will be advertised on the BARS 2015 conference website.
- Proposals for themed panels of three 20-minute or four 15-minute papers (250-word abstracts for each paper with speakers’ details and an outline of the panel’s rationale from the proposer).
Deadline for open-call and themed panels: 13 October 2014. You will be notified of acceptance by 10 November 2014. Accepted open-call sessions will be advertised from 1 December 2014.
Deadline for all other submissions: 31 January 2015. Submissions can comprise proposals for individual papers, poster presentations and submissions to open-call panels (which will be published online from 1 December 2014). If you are applying to an open-call session, you should include the name of the session on your proposal.
All proposals should include your name, academic affiliation (if any), preferred email address and a biography of 100 words. Please send proposals and direct enquiries to the BARS 2015 conference organisers, Anthony Mandal and Jane Moore (Cardiff University) at BARS2015@cardiff.ac.uk.
For the latest updates about the conference, follow us on Twitter @2015BARS. (The conference website will be going live later this summer.)
It started out as an experiment. We took the brains of a dozen undergraduate students and carefully placed them into the flailing bodies of several research projects; we fired up the electricity (well, actually, set up a webpage) and … the Project Management and Research module was born.
I have become very fond of what we have all created this year. Anthony and I have worked together on projects for over a decade now (hard to believe, I know) and it seemed like a good idea to share some of what we have learned along the way and pass on our genuine enthusiasm for project-based work. In an academic environment that is increasingly stressing employability and the transferability of skills, this module ticks all the boxes. I hope that it has given our first cohort of students a taste of research in an academic context and the opportunity to exploit the talent they have and bring out new talents they never knew they had. Read the rest of this entry »
Matthew Rubery (Queen Mary, London) will be presenting his paper, ‘How to Read a Talking Book’, at 5.30pm on Tuesday, 18 March 2014. The talk will take place in the Cardiff University’s John Percival Building, Room 2.48.
The United States Library of Congress’s Talking Book Service was established in 1934 to provide books for war-blinded soldiers and blind civilians who could not read braille. The first recordings included the Bible, Shakespeare’s plays and best-selling novels. This presentation traces a series of controversies that arose soon afterward among the blind community over the appropriate way to narrate a talking book. Audiences faced a choice between a deliberately understated style that privileged the printed book and a theatrical style that took full advantage of the phonograph’s sound. Such disputes raise fundamental questions about the legitimacy of reading practices among people with visual disabilities and, ultimately, what it means to read a book. Read the rest of this entry »
Ronan Deazley (University of Glasgow) will be presenting his paper, ‘Comics, Copyright and Academic Publishing’, at 5.30pm on Tuesday, 19 November 2013. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31.
This paper explores the culture of copyright clearance within the domain of scholarly communications through the prism of comics scholarship. It will be of interest to copyright scholars, as well as to academics working in the arts, humanities and social sciences who make use of copyright material in their research publications.
About the speaker
Ronan Deazley is Professor of Copyright Law at the University of Glasgow and Founding Director of CREATe, the RCUK-funded Centre for Copyright and New Business Models in the Creative Economy (www.create.ac.uk). He is the author of numerous publications on the issue of copyright and intellectual property, including On the Origin of the Right to Copy: Charting the Movement of Copyright Law in Eighteenth Century Britain, 1695–1775 (2004) and Re-Thinking Copyright: History, Theory, Language (2006, 2008). Between 2006 and 2008 he was the UK national editor for an AHRC-funded digital resource concerning the history of copyright in Italy, France, Germany, the UK and the US: Primary Sources on Copyright 1450-1900. More recently, he secured £5.1M of RCUK funding to establish CREATe: the RCUK Centre for Copyright and New Business Models in the Creative Economy.
Stephen Bending (University of Southampton) will be presenting his paper, ‘Retirement and Disgrace: Women and Gardens in the Eighteenth Century’, at 5.30pm on Tuesday, 29 October 2013. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31.
Traditional accounts of women in eighteenth-century gardens tend to emphasise flower gardens, piety and domestic retirement, but alongside this we should recognise an equally powerful image of women and gardens articulated in terms of sex, voyeurism, scandal and disgrace. This paper begins by outlining some of those conventional—and frequently male—accounts which align the garden with femininity, piety, and domesticity, but then turns to some less comfortable alternatives in order to explore what happens when women—rather than men—imagine themselves in the garden, how they engage with double standards, female desire, and the recognition that if the garden is a place of pleasure, it can also be a place of punishment and shame.
Andrew Mangham (University of Reading) will be presenting his paper, ‘Bleeding Corpses and Other Nasties: Early Forensics and Popular Nineteenth-Century Literature’, at 5.30pm on Tuesday, 16 April 2013. The talk will take place in the Cardiff University’s John Percival Building, Room 2.48.
This paper gives an overview of the rise of forensic science in the early nineteenth century, and questions the role that popular short stories from periodicals like the Terrific Register had on popular ideas of evidence, truth, and guilt. In particular, I’ll focus on grisly images of bleeding corpses and live burials to show how the 1820s marked a period of change in the interpretation of anatomical evidence: benighted notions of natural justice were beginning to be superseded by a clinical approach to truth which privileged empirical detail and hard evidence.
Visiting speaker, 26 Feb 2013: Nicola Watson on Walter Scott, Washington Irving and literary heritage
Nicola Watson (Open University) will be presenting her paper, ‘Transporting the Romantic: Sir Walter Scott, Washington Irving and the Romantic Writer’s House’, at 5.30pm on Tuesday, 26 February 2013. The talk will take place in the Cardiff University’s John Percival Building, Room 2.48.
This paper investigates the making of Washington Irving’s house in New York State, Sunnyside, as a reworking of Sir Walter Scott’s exercise in self-promotion at Abbotsford. It argues that Irving, having presented and explicated Scott’s home in Geoffrey Crayon’s Sketchbook to a wide public, especially in the States, consciously took Scott’s house as a model for his own display of himself as a romantic writer. Sunnyside rethinks Abbotsford by sentimental referencing, by reiterating the aesthetic of the collection, and in architectural terms. Most strikingly, it mimics Scott’s fantasia by embedding the writer’s house within a ‘heritage’ landscape itself produced by his own writing. The paper enquires as to how typical this project might have become for other romantic American authors, notably Fenimore Cooper, Henry Thoreau, and Nathaniel Hawthorne. The conclusion speculates on whether the romantic understanding of literary genius as most intensely expressed in houses and associated landscapes survived the Atlantic crossing intact, or whether it mutated into something distinctive in the environment of New England.