Posts Tagged material cultures
Ronan Deazley (University of Glasgow) will be presenting his paper, ‘Comics, Copyright and Academic Publishing’, at 5.30pm on Tuesday, 19 November 2013. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31.
This paper explores the culture of copyright clearance within the domain of scholarly communications through the prism of comics scholarship. It will be of interest to copyright scholars, as well as to academics working in the arts, humanities and social sciences who make use of copyright material in their research publications.
About the speaker
Ronan Deazley is Professor of Copyright Law at the University of Glasgow and Founding Director of CREATe, the RCUK-funded Centre for Copyright and New Business Models in the Creative Economy (www.create.ac.uk). He is the author of numerous publications on the issue of copyright and intellectual property, including On the Origin of the Right to Copy: Charting the Movement of Copyright Law in Eighteenth Century Britain, 1695–1775 (2004) and Re-Thinking Copyright: History, Theory, Language (2006, 2008). Between 2006 and 2008 he was the UK national editor for an AHRC-funded digital resource concerning the history of copyright in Italy, France, Germany, the UK and the US: Primary Sources on Copyright 1450-1900. More recently, he secured £5.1M of RCUK funding to establish CREATe: the RCUK Centre for Copyright and New Business Models in the Creative Economy.
Stephen Bending (University of Southampton) will be presenting his paper, ‘Retirement and Disgrace: Women and Gardens in the Eighteenth Century’, at 5.30pm on Tuesday, 29 October 2013. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31.
Traditional accounts of women in eighteenth-century gardens tend to emphasise flower gardens, piety and domestic retirement, but alongside this we should recognise an equally powerful image of women and gardens articulated in terms of sex, voyeurism, scandal and disgrace. This paper begins by outlining some of those conventional—and frequently male—accounts which align the garden with femininity, piety, and domesticity, but then turns to some less comfortable alternatives in order to explore what happens when women—rather than men—imagine themselves in the garden, how they engage with double standards, female desire, and the recognition that if the garden is a place of pleasure, it can also be a place of punishment and shame.
Andrew Mangham (University of Reading) will be presenting his paper, ‘Bleeding Corpses and Other Nasties: Early Forensics and Popular Nineteenth-Century Literature’, at 5.30pm on Tuesday, 16 April 2013. The talk will take place in the Cardiff University’s John Percival Building, Room 2.48.
This paper gives an overview of the rise of forensic science in the early nineteenth century, and questions the role that popular short stories from periodicals like the Terrific Register had on popular ideas of evidence, truth, and guilt. In particular, I’ll focus on grisly images of bleeding corpses and live burials to show how the 1820s marked a period of change in the interpretation of anatomical evidence: benighted notions of natural justice were beginning to be superseded by a clinical approach to truth which privileged empirical detail and hard evidence.
Visiting speaker, 26 Feb 2013: Nicola Watson on Walter Scott, Washington Irving and literary heritage
Nicola Watson (Open University) will be presenting her paper, ‘Transporting the Romantic: Sir Walter Scott, Washington Irving and the Romantic Writer’s House’, at 5.30pm on Tuesday, 26 February 2013. The talk will take place in the Cardiff University’s John Percival Building, Room 2.48.
This paper investigates the making of Washington Irving’s house in New York State, Sunnyside, as a reworking of Sir Walter Scott’s exercise in self-promotion at Abbotsford. It argues that Irving, having presented and explicated Scott’s home in Geoffrey Crayon’s Sketchbook to a wide public, especially in the States, consciously took Scott’s house as a model for his own display of himself as a romantic writer. Sunnyside rethinks Abbotsford by sentimental referencing, by reiterating the aesthetic of the collection, and in architectural terms. Most strikingly, it mimics Scott’s fantasia by embedding the writer’s house within a ‘heritage’ landscape itself produced by his own writing. The paper enquires as to how typical this project might have become for other romantic American authors, notably Fenimore Cooper, Henry Thoreau, and Nathaniel Hawthorne. The conclusion speculates on whether the romantic understanding of literary genius as most intensely expressed in houses and associated landscapes survived the Atlantic crossing intact, or whether it mutated into something distinctive in the environment of New England.
Oral Poetry Today
Friday, 15 February @ 4pm
A practitioners’ workshop gathering slam artists, poets, and analysts from the academic world and the cultural economy.
What is the role and importance of oral poetry today? Are oral poetry and written poetry interconnected? Is slam a continuation of the tradition or a new genre?
Those questions and others will be addressed by our speakers:
- Camille Faucherre, slam artist (Lille, France)
- James Wheale, slam artist (UK)
- Llyr Lewis (poet, Wales)
- Glenn Carmichael (Poetry Slam, Bristol)
- Bohdan Pasieki (Apples and Snakes)
- Donatella Dubourg (La Générale d’Imaginaire, Lille, France)
- Llion Roberts (poet, Wales, and Cardiff University)
- Monika Hennemann (Cardiff University)
- Cristina Marinetti (Cardiff University)
- Alexis Nuselovici (Nouss) (Cardiff University)
The event will take place in Rooms 1.07/1.08 of the Optometry Building, Cardiff University.
For more information : Anne James, JamesA@cardiff.ac.uk
At the end of November 2012, I was lucky enough to be part of a team that won a commission through the innovative REACT Books&Print Sandbox call for early 2013. I’ll be working as lead academic partner with Bristol-based creative company, SlingShot, to create a pervasive media experience that draws on the narrative and themes of Stevenson’s gothic masterpiece.
Humanity 2.0 is an understanding of the human condition that no longer takes the ‘normal human body’ as given. On the one hand, we’re learning more about our continuity with the rest of nature—in terms of the ecology, genetic make-up, evolutionary history. On this basis, it’s easy to conclude that being ‘human’ is overrated. But on the other hand, we’re also learning more about how to enhance the capacities that have traditionally marked us off from the rest of nature.
—Steve Fuller, Auguste Comte Chair in Social Epistemology, Warwick.
The core of our project draws on the fundamental questions of Jekyll and Hyde: What makes us human? Do our minds control our bodies or are we shaped by our urges, compulsions and appetites? Will technology radically transform us into a new organism, ‘Humanity 2.0’? Such questions are nothing new: during the 19th century, the cultural implications of emerging theories of identity and the dominance of science were explored by numerous works of literature. Drawing on this tradition, our project transforms this reading into play, to create a pervasive gaming experience that links individuals’ bio-data with one such text, Stevenson’s Jekyll and Hyde (1886), in order to stimulate participants into considering the condition of their own humanity. Read the rest of this entry »
The University of Sheffield
School of English
Rethinking the Nineteenth Century
Saturday, 24 August 2013
Keynote speaker: Professor Mark Llewellyn
(University of Strathclyde: Director of Research at the AHRC),
‘On Reciprocity, Trust and the Gift’
This one day conference will address a central question: what constitutes nineteenth century studies today? Recent years have witnessed significant shifts in the historical range and content of the long nineteenth century as the result of emerging critical approaches, historiographical debates, and the advancing claims of interdisciplinary analyses. The conference will provide a forum for taking stock of where we are now and trace possible future developments within the area. It will explore how specific engagements with a range of critical theories have developed an understanding of the nineteenth century as well as examining how the development of new cultural forms, including contemporary adaptations of the nineteenth century (on stage, film, and television), have conditioned public perceptions of the period. The conference will also address the challenges (and possible limitations) of discussing the nineteenth century as opposed to the Victorian period as well as exploring the distinctions and continuities between Romanticism and Victorianism. The conference will also reflect on how recent developments in the neo-Victorian novel have contributed to new debates about the relationship between the Victorian novel and contemporary culture, and how this enables us to reread and rewrite the Victorians.
We thus invite contributions which reflect on how texts, approaches, and concepts have enriched our understanding of the nineteenth century. We also welcome contributions which consider future developments for nineteenth century studies by plotting ways of ensuring a positive and vibrant future for our past.
Discussions are underway with a University Press with a view to publishing a collection based on extended versions of a selection of papers.
Papers might wish to address topics such as:
- Rethinking the parameters of the nineteenth century – The Romantics and the Victorians.
- New interdisciplinary approaches.
- Recovering the lost: voices, texts, artefacts.
- Theorising the nineteenth century.
- Keywords – then and now?
- The international context and transnational approaches
- Representing the nineteenth century – TV, film, galleries and museums, the neo-Victorian.
- Where next for nineteenth century studies?
- Canon formation in a digital age.
- The Digital Humanities and Social Media.
Please submit 250 word abstracts for 20 minute papers to the conference organizers (Dr Andrew Smith, Dr Anna Barton, Dr John Miller and Dr Amber Regis) at firstname.lastname@example.org by March 18th.
Rupert Gatti (Cambridge) will be presenting his paper, ‘Open Access Publishing in the Humanities and Social Sciences’, at 4pm on Wednesday, 12 December 2012. The talk will take place in the Cardiff Humanities Building, Room 2.48.
Please note: this paper was originally scheduled to run at 2.30pm but is now running at 4pm.
The nature and methods of academic book publishing is transforming radically in the wake of external pressures and the rising costs of scholarly monographs. Open-Access publishing is increasingly being perceived as a solution to the problem facing both institutions, whose library budgets are being cut year-on-year, and scholars, who are attempting to disseminate their work to the widest audience possible. One company that is responding to this situation is Open Book Publishers: an imprint run by academics for academics, which is changing the nature of the traditional academic book. Its books are published in hardback, paperback, PDF and e-book editions, but they also include a free online edition.
We are in the midst of what journalists are calling an ‘academic spring’. Researchers are realising that the high cost of academic books and journals means that only a select readership can access their work. Open Access (that is, making texts free to read online) helps spread educational materials to everyone, globally, not just to those who can afford it. It is increasingly becoming a requirement for publicly funded research to be made available in Open Access format and we are able to achieve this quickly and effectively. Open Book Publishers, a signatory of the Budapest Open Access Initiative, shows that an Open Access model of publishing can be sustainable. In his talk, Rupert Gatti will discuss the transforming landscape of academic publishing and its implications, as well as talking more specifically about Open Book Publishers and its vision.
Hosted by Cardiff University and the University of Glamorgan
The British Society for Literature and Science invites proposals for papers and panels to be delivered at its eighth annual conference to be held in Cardiff, 11–13 April 2013.
The BSLS Conference does not have a theme (as it its usual practice) but especially welcomes proposals on the state of the field of literature and science as well as its relation to other fields. This year we would be particularly interested to receive proposals that reflect upon the interdisciplinary study of literature and science in the context of the present crisis in the humanities. However, the Society remains committed to supporting proposals on all aspects of literature and science across all periods.
Proposals for papers of 15–20 minutes should be sent in the body of the email text (no attachments, please), to email@example.com with the subject line ‘BSLS 2013 abstract’. Submissions should include the title of the paper, an abstract of no more than 300 words, a maximum of 3 keywords (placed at the end of the abstract), and the name and contact details of the speaker.
Closing date for submissions: 7 December 2012. (Decisions will be made in January 2013)
Contributors interested in organising a panel or other special session, or who have suggestions for alternative forms of conference presentation, are warmly encouraged to contact the conference organisers. The organisers would welcome, for example, workshops on teaching literature and science, or on specific themes in literature and science that cross period boundaries, or on specific published works with considerable influence in the field. Please email the organisers on firstname.lastname@example.org, using ‘BSLS 2013 Panel’ as the subject line in email correspondence.
Funding: we anticipate that there will be a small bursary awarded to a graduate student on the basis on the paper proposals. The student must be registered for a masters or doctoral degree on 9 January 2013.
Accommodation: please note that those attending will need to make their own arrangements for accommodation. As in previous years, we anticipate that the conference will begin at about 1pm on the first day and conclude at about 2pm on the last.
Membership: in order to attend the conference, you must be a paid-up member of the BSLS for 2013. We anticipate that it will be possible to pay the £10 annual membership fee when paying the conference fee online.
Organisers: Professor Keir Waddington (Cardiff) and Dr Martin Willis (Glamorgan).
Becky Munford (Cardiff) will be presenting her paper, ‘ “An Unconquerable Thirst for Trousers”: Fashioning the Modernist Subject’, at 5.30pm on Tuesday, 13 November 2012. The talk will take place in the Cardiff Humanities Building, Room 2.48.
The garment in which Vanessa was left sitting was her TROUSERS : Tρονδερς: trousers: trousers now, does the obtuse beast understand?
(Virginia Woolf, letter to Emma Vaughan, 20 April 1899)
On 27 May 1876, a New York Times article identified ‘an abnormal and unconquerable thirst for trousers’ as one of the most horrifying symptoms of dress reform, a ‘curious disease’ with a ‘near relation to hysteria’. As this gothic register suggests, the pathologisation of the ‘woman in trousers’ reflects broader cultural anxieties about the instability of gender and sexual identities. Linked with periods of social and political upheaval, women’s liberation, radical thought, aesthetic innovation and erotic freedom, trouser-wearing women have historically represented an illegitimate assumption of male authority and power that destabilises fixed notions of sexual difference and threatens the very fabric of the social order. Beginning with a brief literary and visual tour of the fraught history of trouser-wearing women, this paper will focus on the role played by trousers in fashioning modern subjects in the early decades of the twentieth century. With particular reference to the work of Virginia Woolf and Djuna Barnes, it will analyse the complex, and often contradictory, meanings attached to trousers as symptomatic of modernist women’s broader fascination with sartorial and aesthetic styling.