Rosario Arias (Universidad de Málaga) will be presenting her paper, ‘Material Traces and Tactility in Neo-Victorian Literature and Culture’, at 5.30pm on Monday, 6 February 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 2.47, and will be followed by a wine reception.
In the latest issue of the online journal Neo-Victorian Studies (9.1: 2016), devoted to neo-Victorianism and the stage, co-editors Beth Palmer and Benjamin Poore acknowledge the relevance that ‘the idea of haunting and hauntedness’ bears upon the field of neo-Victorian studies (1). Indeed, the pervasiveness of the Victorians in contemporary culture has been addressed through the master trope of haunting and spectrality, as many critics have noted. However, Cora Kaplan in Victoriana (2002) has aptly suggested that ‘[t]he Victorian as at once ghostly and tangible … [has] had a strong affective presence in modern Britain’. Therefore, time seems ripe for the consideration of the tangibility of Victorian traces and the traces of the Victorians in contemporary culture. In this talk, I will pay attention to the material side of the trace of the Victorian past, objects and things, as well as the overflow of the past into the present through sensorial materiality, in contemporary literature and culture. In so doing, I will focus on a selection of texts that illustrate the sensuous interplay between the Victorian past and today’s culture by employing critical approaches such as Thing theory, affective materiality and phenomenology.
About the speaker
Rosario Arias is Associate Professor and Head of the Department of English, French and German at the University of Malaga, where she teaches courses on the British novel, contemporary literature and intercultural communication. Her research focuses on Neo-Victorianism, contemporary fiction, memory and narrative, and trauma. She has published numerous articles on historical fiction, Neo-Victorianism, trauma, spectrality and contemporary literature, and is the editor of Spiritualism, Science and Technology (2014) and co-editor of Haunting and Spectrality in Neo-Victorian Fiction: Possessing the Past (2010).