I'm Professor of Print and Digital Cultures and Director of the Centre for Editorial and Intertextual Research at Cardiff University. My research interests include Jane Austen, 19th-century fiction, the gothic, print culture and history of the book, and digital humanities. I have published books and essays on Austen, popular fiction and print culture, and have developed a number of literary databases. I'm currently working on various projects, including an encyclopaedia of gothic publishing during the Romantic period. I'm also one of the General Editors of the New Edinburgh Edition of the Works of Robert Louis Stevenson.
Peter Garside (University of Edinburgh) will be presenting his paper, ‘Scott As A European Poet: On Editing His Shorter Verse’, at 5.30pm on Monday, 30 April 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31, and will be followed by a wine reception.
Abstract The talk will concern preparation for a new scholarly edition of Scott’s Shorter Verse, due to appear next year as the second volume to be published in the Edinburgh Edition of Walter Scott’s Poetry (EEWSP). It will focus on the large proportions of items in this new volume with strong European connections, either in representing translations or reworking of foreign-language texts or more broadly reflecting Scott’s transnational concerns. Consideration will also be given to Scott’s lifelong preoccupation with political affairs on a European scale, and more especially resistance to the forces of Napoleonic ‘universalism’. Lastly, it will offer some tentative suggestions as to how this might (or might not) relate to current debates concerning Brexit.
Nicky Marsh (University of Southampton) will be presenting her paper, ‘Chasing Dorothy: Gender and Sacrifice in the Work of Thomas Pynchon’, at 5.30pm on Tuesday, 12 December 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31, and will be followed by a wine reception.
Abstract The characters in Thomas Pynchon’s novels, from Gravity’s Rainbow to Against the Day, are constantly trying to catch The Wizard of Oz‘s Dorothy. Yet they never do but when they come close they often realise that it is the wrong Dorothy and in this lingering confusion over who Dorothy really is, I want to suggest, Pynchon points us to the need for a new kind of history for money in early twentieth-century America. He points us not to the bimetal debates with which the original novella has become so synonymous but to the emergence of credit money and its complex relationship to notions of both gender and sacrifice. This paper follows Pynchon as he follows Dorothy and tries to suggest a language for money that can acknowledge this submerged history.
Bing Jin (University of International Business and Economics, Beijing) will be presenting her paper, ‘Chinese Neo-Victorianism’, at 11.30am on Friday, 11 August 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 2.47. Please note the change of time and venue.
Abstract In this lecture, Prof. Bing Jin will offer a complex analysis of the rise, developments and recent trends in the academic study of the neo-Victorian novel in China, with special focus on such authors as A.S. Byatt, John Fowles and Graham Greene. She will also discuss the different assumptions and approaches in contemporary Chinese (Neo)Victorianist scholarship in contrast to that in Britain.(more…)