Author: Anthony Mandal

I'm Professor of Print and Digital Cultures and Director of the Centre for Editorial and Intertextual Research at Cardiff University. My research interests include Jane Austen, 19th-century fiction, the gothic, print culture and history of the book, and digital humanities. I have published books and essays on Austen, popular fiction and print culture, and have developed a number of literary databases. I'm currently working on various projects, including an encyclopaedia of gothic publishing during the Romantic period. I'm also one of the General Editors of the New Edinburgh Edition of the Works of Robert Louis Stevenson.

Visiting Speaker, 11 Aug 2017: Bing Jin on Chinese Neo-Victorianism

Bing Jin (University of International Business and Economics, Beijingwill be presenting her paper, ‘Chinese Neo-Victorianism’, at 11.30am on Friday, 11 August 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 2.47. Please note the change of time and venue.

Abstract
In this lecture, Prof. Bing Jin will offer a complex analysis of the rise, developments and recent trends in the academic study of the neo-Victorian novel in China, with special focus on such authors as A.S. Byatt, John Fowles and Graham Greene. She will also discuss the different assumptions and approaches in contemporary Chinese (Neo)Victorianist scholarship in contrast to that in Britain. (more…)

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CANCELLED: Nicky Marsh on Thomas Pynchon and money (tonight)

We regret to inform you that, owing to unforeseen circumstances, Prof. Marsh’s paper on ‘Gender and Sacrifice in the Work of Thomas Pynchon’ has been cancelled. Apologies for any inconvenience.

Reminder: Nicky Marsh on Thomas Pynchon and money tomorrow

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Visiting Speaker, 9 May 2017: Nicky Marsh on Thomas Pynchon and money

Nicky Marsh (University of Southampton) will be presenting her paper, ‘Gender and Sacrifice in the Work of Thomas Pynchon’, at 5.30pm on Tuesday, 9 May 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 2.48, and will be followed by a wine reception.

Abstract
2016.08.marshThe characters in Thomas Pynchon’s novels, from Gravity’s Rainbow to Against the Day, are constantly trying to catch The Wizard of Oz‘s Dorothy. Yet they never do but when they come close they often realise that it is the wrong Dorothy and in this lingering confusion over who Dorothy really is, I want to suggest, Pynchon points us to the need for a new kind of history for money in early twentieth-century America.  He points us not to the bimetal debates with which the original novella has become so synonymous but to the emergence of credit money and its complex relationship to notions of both gender and sacrifice. This paper follows Pynchon as he follows Dorothy and tries to suggest a language for money that can acknowledge this submerged history.
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Visiting Speaker, 4 Apr 2017: Lise Jaillant on Modernism and publishing

Lise Jaillant (Loughborough University) will be presenting her paper, ‘“Modernist” Publishers, Publishers of “Modernism”’, at 5.30pm on Tuesday, 4 April 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 2.48, and will be followed by a wine reception.

Abstract
2016.07.jaillantCommercial publishers are nearly invisible in New Modernist Studies. There is no history of Random House, no history of Harcourt Brace and no history of Faber & Faber. One reason for this invisibility is that commercial firms published a wide range of texts—what we now see as ‘Modernism’ was issued alongside ‘popular’ texts. In the late 1920s and early 1930s, the Phoenix Library published Wyndham Lewis’s first novel Tarr but also popular novels and even a cookery book. Since difficult ‘Modernist’ texts continue to dominate our understanding of early twentieth-century literature, we tend to neglect these publishing enterprises or to study only the tiny portion of their activities that relates to ‘Modernism’.

This talk will address two points: 1) why so few modernist scholars have studied commercial publishers (unlike Victorianists, who have long been interested in book publishers and their impact on the literary text); 2) what we can do to expand the sub-field of Modernist Print Culture, building on existing work in periodical studies and strengthening our relationship with scholars of book history. In this context, ‘Modernist’ would be synonymous with ‘Early Twentieth Century’ to include all kinds of texts published at that time. The conclusion will present Lise’s digital map of publishers in New York in the 1920s, part of a chapter forthcoming with Cambridge University Press. (more…)