I'm Professor of Print and Digital Cultures and Director of the Centre for Editorial and Intertextual Research at Cardiff University. My research interests include Jane Austen, 19th-century fiction, the gothic, print culture and history of the book, and digital humanities. I have published books and essays on Austen, popular fiction and print culture, and have developed a number of literary databases. I'm currently working on various projects, including an encyclopaedia of gothic publishing during the Romantic period. I'm also one of the General Editors of the New Edinburgh Edition of the Works of Robert Louis Stevenson.
Tom Abba (University of the West of England) will be presenting his paper, ‘The Road to Ambient Literature’, at 5.30pm on Tuesday, 29 November 2016. The talk will take place in the Cardiff University’s John Percival Building, Room 2.03, and will be followed by a wine reception.
Abstract Ambient Literature—a two year, AHRC funded research project undertaken by UWE Bristol, Bath Spa University and the University of Birmingham, did not suddenly appear fully formed within a funding application. The project, defined as an exploration of situated literary experiences, delivered by pervasive computing platforms, responding to the presence of a reader to deliver story, emerges from a body of work that has sought to address the form of digital texts, grammars of writing for new technologies and interventions into situated literary practice.
Six months into the project, UWE’s Tom Abba will discuss and assess the work that informed the initial development of the Ambient Literature proposal, including Circumstance’s These Pages Fall Like Ash and a Hollow Body, and map out the territory within which Ambient Literature operates. The underlying aim of the research project; the reification of frameworks, grammars and platforms for writing Ambient Literature; informs the commissioning of three new pieces of writing during the programme of work. Alongside these, smaller experiments are being used to work through initial findings and research questions as they arise. Tom will conclude by examining the ways in which the second of these—yesterday you’re still dreaming—worked with specificities of spoken word and situated storytelling to manipulate each reader’s perception of their experience. (more…)
Emily Rohrbach (University of Manchester) will be presenting her paper, ‘Voice and Dispossession: A Comparative Poetics’, at 5.30pm on Tuesday, 8 November 2016. The talk will take place in the Cardiff University’s John Percival Building, Room 2.03, and will be followed by a wine reception.
Abstract This talk draws from her current work on voice and dispossession in ‘Gothic’ literatures from Britain and Europe to the Americas, which examines not only to plot elements and themes of dispossessed voices but also aspects of narrative voice that dramatise self-reflexively its own otherness. That otherness concerns less the transcendence or divine quality of poetic inspiration than the imagination of textual circulation and influence in the Romantic period and the nineteenth century on both sides of the Atlantic. (more…)
Verity Hunt (University of Southampton) will be presenting her paper, ‘Stories by the City, Stories by the Sea: Locative Literature and Narrative Archaeology’, at 5.30pm on Tuesday, 25 October 2016. The talk will take place in the Cardiff University’s John Percival Building, Room 2.03, and will be followed by a wine reception.
Abstract Every place has a story, and every story has a place; landscapes are made up of stories over time, layer-upon-layer, like geological strata. StoryPlaces, an interdisciplinary research project funded by the Leverhulme Trust, explores the stories of nineteenth-century places via the emerging digital medium of location-aware narrative. Focussing on location-aware stories of nineteenth-century Southampton Old Town and Docks written by University of Southampton creative writing students, this paper discusses locative literature’s potential to bring overlooked and long-forgotten nineteenth-century stories to the fore of our experience of the twenty-first-century city. Location-aware narrative stands as an innovative new creative medium for consuming our Victorian past; it enriches its readers’ narrative experience by creating interactive historical landscapes. (more…)