Six Notebooks in Search of an Editor: Samuel Beckett’s Murphy
Andrew Nash, 26 Apr 2016, CEIR Seminar Series
Claiming that he has no critical authority in the field of Samuel Beckett, Dr Andrew Nash (University of Reading) confessed that his paper would shed no new light on Beckett’s writings. The paper was, instead, a thought-provoking account of the changes taking place in manuscript research, the increasing emphasis on the materiality of the manuscript, and the technological conditions (writing instruments and papers) that influence literary production. Nash’s research also provided the centre with an invaluable insight into the status of the modern literary manuscript as an artefact of considerable commercial value, and, in the case of Beckett’s Murphy notebooks, the ways in which the commercial and the scholarly are indelibly intertwined.
Professor Carl Phelpstead introduces Dr Andrew Nash
In July 2013, the University of Reading successfully purchased at auction six manuscript notebooks, detailing the composition of Beckett’s first novel Murphy (1938). Justifying their bid of £950,000, the University maintained that the acquisition of the manuscript would solidify its reputation as a central archival resource for Beckett’s work, and attract more scholars and researchers to Reading. (more…)
Pip at the Fingerpost: Nineteenth-Century Urban Conflict and the Regional Reception of Great Expectations
Mary Hammond, Tuesday 12 Apr 2016, CEIR Seminar Series
In The Country and the City (1973) Raymond Williams examines how rural and urban life has been depicted in English literature since the sixteenth century. Arriving at Cambridge University as an undergraduate from his hometown in the Welsh Black Mountains, Williams discovered that the way rural life (a life he knew very well) was represented in literature was nothing like the reality. In fact, Williams argued that rural life, as portrayed in the literary canon, was a construction that served the social order of the times. The country was Edenic, whilst the city was a thriving metropolis of capitalist production.
Dr Mary Hammond
It is a binary that Dr Mary Hammond (University of Southampton) unpicked (or, at least reduced), in her recent paper at the Centre. Taking a highly nuanced approach, Mary used Charles Dickens’ Great Expectations (1861) as a lens to think about cultural change during the novel’s initial reception context. Arguing that Victorianists often only refer to London-based media to understand a text’s immediate historical significance, Mary suggested that we begin to interrogate the rural press, as well, to enhance our understanding of how the novel signified to different audiences. Great Expectations is the perfect text to explore these reactions as the pivotal moment in the novel is when Pip leaves the Kent countryside of his childhood for London in order to become a Gentleman. (more…)
In the fourth of an ongoing series of posts, Harriet Gordon, a first-year doctoral candidate based in Cardiff’s Centre for Editorial and Intertextual Research, discusses the early steps of her project: a book historical study of Robert Louis Stevenson’s global literary networks. Harriet’s project is funded by the Arts and Humanities Research Council’s South, West and Wales Doctoral Training Partnership (SWW-DTP).
In my most recent post on this blog I explored Robert Louis Stevenson’s complex relationship with his mentor and literary advisor Sidney Colvin, focusing on the impact he had on the young author’s early career. Although only five years Stevenson’s senior, Colvin was already well established within the literary environment of London when the two men met, and put his contacts and connections at Stevenson’s disposal. Yet it was not simply literary contacts that Colvin supplied: he also offered his encouragement, enthusiasm, and, at times, stern expectations at this crucial moment of the author’s life. Stevenson acknowledges the impact of these less quantifiable acts of assistance, even claiming that Colvin, along with Frances Sitwell, has the ability to alter his own personality. Shortly after his stay at Cockfield Rectory and his first meeting with Colvin, Stevenson writes to Sitwell from Edinburgh that
the stimulus of your approval and Colvin’s has died a good deal off, and I find myself face to face with the weak, inefficacious personality that I knew before (Letters 1, 307)
In the third of an ongoing series of posts, Harriet Gordon, a first-year doctoral candidate based in Cardiff’s Centre for Editorial and Intertextual Research, discusses the early steps of her project: a book historical study of Robert Louis Stevenson’s global literary networks. Harriet’s project is funded by the Arts and Humanities Research Council’s South, West and Wales Doctoral Training Partnership (SWW-DTP).
In the summer of 1873 Robert Louis Stevenson paid what he later described as a ‘very fortunate visit’ to Cockfield Rectory in Suffolk, where first met Slade Professor of Fine Art Sidney Colvin. Just how fortunate a visit this was we will never know for sure; it is feasible that Stevenson could have gone on to attain the same level of literary success without Colvin’s early assistance. Yet it is also entirely possible that without the jump-start Colvin’s connections and advice provided, Stevenson would have never caught the attention of the literary elite, would never have been propelled into the public eye, and would not have become the subject of a PhD thesis in 2015.
‘Secrets of the Film World’: Archives, Cinema Writing and Interwar Intermedia
Lisa Stead, Tuesday 1 Mar 2016, CEIR Seminar Series
The Centre was delighted to host Dr Lisa Stead earlier this month, whose paper addressed how women’s fictional writing, primarily from the 1930s, and other media forms, such as film and fan magazines, collectively produce a fascinating account of women’s experience of the cinema and of cinema-going in the interwar period.