creativity

Visiting Speaker, 21 Mar 2017: Matt Hayler on Digital and Ambient Literature

Matt Hayler (University of Birmingham) will be presenting his paper, ‘Digital and Ambient Literature: How Resistance Was Futile and the Future of Books Might Not Be Awful’, at 5.30pm on Tuesday, 21 March 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 2.48, and will be followed by a wine reception.

Abstract
2016.06.haylerWhat difference does digitisation make? This talk will compare the ways in which digital and printed book bodies might mean, taking their embodiment seriously and thinking through the work that it might do in entanglement with the bodies of their readers. As we develop new grammars of use for digital texts we see that they are anything but ghostly or ephemeral, instead capable of meaning in their form just as much as works in print – our resistance comes from somewhere else. These ideas will be further thought through in a discussion of the AHRC Ambient Literature project which explores the interactions of readers, digital texts, and lived places. What means, how, and in what configurations is a rich question, and my answer, at least in part, is a posthuman understanding of where sites of knowledge, and what is to be known, might be located. (more…)

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Narrative Voice and Gothic Otherness

Voice and Dispossession: A Comparative Poetics

Emily Rohrbach, 8 Nov 2016, CEIR Seminar Series

In the second paper of this year’s CEIR series, held in collaboration with the Cardiff Romanticism and Eighteenth-Century Seminar (CRECS), Dr Emily Rohrbach drew on her current research on voice and dispossession in ‘Gothic’ literature from Britain, Europe and America to examine its influence on the Romantic period. Rohrbach, in her usual critical style which as Dr Jamie Castell stated ‘pays attention to the small details when addressing the big questions’, analysed aspects of the narrative voice that dramatise self-reflexively its own otherness. (more…)

Location, Location, Location … and Literature

Stories by the City, Stories by the Sea: Locative Literature and Narrative Archaeology

Verity Hunt, 25 Oct 2016, CEIR Seminar Series

Unless you are extremely adept at avoiding news on popular culture, you must have, in one way or another, encountered the mobile sensation that is Pokémon Go. In the past six months this augmented reality phenomenon has launched location-based gaming into the public consciousness. In the first paper in this year’s CEIR series, Dr Verity Hunt began by encouraging us to imagine if our smartphones alerted us to nearby voices from the past, rather than the presence of Pikachus. What if your phone could provide you, for example, with a story about the Victorian world set in the place you are standing, incorporating the archaeological traces of nineteenth-century narratives that permeate the built landscapes of our cities?

This is exactly what a team at the University of Southampton are achieving with the Story Places project, combining story-telling skills with the location-based technology behind Pokémon Go to create interactive historical landscapes. Funded by the Leverhulme Trust, the project has built a location-aware, storytelling application for smartphones, which supports situated stories interwoven with the places they are read. The team worked with a range of creative writers, including undergraduate and postgraduate students, taking three case study places as way to explore the potential of the application: Southampton Old Town and Docks, the Bournemouth Natural Science Society and the Crystal Palace Park in South London. (more…)

Visiting Speaker, 29 Nov 2016: Tom Abba on Ambient Literature

Tom Abba (University of the West of England) will be presenting his paper, ‘The Road to Ambient Literature’, at 5.30pm on Tuesday, 29 November 2016. The talk will take place in the Cardiff University’s John Percival Building, Room 2.03, and will be followed by a wine reception.

Abstract
2016-03-abbaAmbient Literature—a two year, AHRC funded research project undertaken by UWE Bristol, Bath Spa University and the University of Birmingham, did not suddenly appear fully formed within a funding application. The project, defined as an exploration of situated literary experiences, delivered by pervasive computing platforms, responding to the presence of a reader to deliver story, emerges from a body of work that has sought to address the form of digital texts, grammars of writing for new technologies and interventions into situated literary practice.

Six months into the project, UWE’s Tom Abba will discuss and assess the work that informed the initial development of the Ambient Literature proposal, including Circumstance’s These Pages Fall Like Ash and a Hollow Body, and map out the territory within which Ambient Literature operates. The underlying aim of the research project; the reification of frameworks, grammars and platforms for writing Ambient Literature; informs the commissioning of three new pieces of writing during the programme of work. Alongside these, smaller experiments are being used to work through initial findings and research questions as they arise. Tom will conclude by examining the ways in which the second of these—yesterday you’re still dreaming—worked with specificities of spoken word and situated storytelling to manipulate each reader’s perception of their experience. (more…)

Reminder: Verity Hunt’s paper on locative literature is tomorrow!

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