Giles Bergel (University of Oxford) will be presenting his paper, ‘Computer Vision, AI and Textual Studies: The State of the Art’, at 5.30pm on Tuesday, 17 March 2020. The talk will take place in the Cardiff University’s John Percival Building, Room 2.01.
Abstract Computer vision has made significant progress in recent years, thanks in part to developments in machine learning (or ‘AI’), and is now beginning to make an impact on textual studies. Computers can, for example, reliably match the same printed page or illustration, or visualise variant typesettings or images. More challenging applications, such as OCR for handwriting, or segmenting documents into meaningful classes, are areas of active research. This presentation will give an account of the state of the art in this area, including several challenges and critical issues for the development of a truly humanistic AI. It will also demonstrate free and open source software tools that researchers can use to make their own images searchable, and will include time for attendees to experiment and learn more about the capabilities and limits of this technology.
Joanna Taylor (University of Manchester) will be presenting her paper, ‘Fitpoet: Walking with Wearables and Dorothy Wordsworth’, at 5.30pm on Monday, 10 February 2020. The talk will take place in the Cardiff University’s John Percival Building, Room 2.01, and will be followed by a wine reception.
Abstract —and not simply by the fact that this shading of forest cannot show the fragrance of balsam[.]
The message at the heart of Eavan Boland’s poem, ‘That the Science of Cartography is Limited’, is a straightforward one: that maps are good at representing where something is, but not at showing why it matters. Digital maps exaggerate these limitations. Notwithstanding attempts to represent digitally the experience of standing in a location (Google’s Street View being the most obvious example), digital maps – like their analogue precursors – cannot comprehend an embodied sense of place. This paper seeks to demonstrate incorporating embodied data alongside a literary text in a mapping environment might transform both how we read, and how we understand the role of embodiment in historical and contemporary place-making.
To do so, it takes as a case study one particular text: Dorothy Wordsworth’s epistolary account of her pioneering ascent of England’s highest mountain, Scafell Pike, on 7 October 1818. It reads this letter alongside data gathered from a recreation of this walk—precisely 200 years later—by a party of researchers, artists and mountaineers who followed in Wordsworth’s footsteps. In part, this was a recreation of an important moment in British Romantic literature and mountaineering history. But, as this paper claims, the recreation was also an opportunity to reflect on the relationship between active reading and digital technologies, wherein the maps created by walking this route might transform the ways we read and respond to the texts the initial ascent inspired. The paper’s ultimate claim is that bringing these two types of data—those generated by author and by reader—together can foreground a phenomenology of place that induces new readings both text and map.(more…)
The 2018/19 programme of speakers at the Centre for Editorial and Intertextual Research is now available to view on our Events: Speakers Programme page. Talks this session from a range of national and international scholars explore a variety of subjects, including digital culture and the technology of literature, the ghost stories that inspired Frankenstein, book fairs and book societies, and reading history in the 18th century. The talks will be followed by wine reception, and all are welcome!
Lise Jaillant (Loughborough University) will be presenting her paper, ‘“Modernist” Publishers, Publishers of “Modernism”’, at 5.30pm on Tuesday, 4 April 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 2.48, and will be followed by a wine reception.
Abstract Commercial publishers are nearly invisible in New Modernist Studies. There is no history of Random House, no history of Harcourt Brace and no history of Faber & Faber. One reason for this invisibility is that commercial firms published a wide range of texts—what we now see as ‘Modernism’ was issued alongside ‘popular’ texts. In the late 1920s and early 1930s, the Phoenix Library published Wyndham Lewis’s first novel Tarr but also popular novels and even a cookery book. Since difficult ‘Modernist’ texts continue to dominate our understanding of early twentieth-century literature, we tend to neglect these publishing enterprises or to study only the tiny portion of their activities that relates to ‘Modernism’.
This talk will address two points: 1) why so few modernist scholars have studied commercial publishers (unlike Victorianists, who have long been interested in book publishers and their impact on the literary text); 2) what we can do to expand the sub-field of Modernist Print Culture, building on existing work in periodical studies and strengthening our relationship with scholars of book history. In this context, ‘Modernist’ would be synonymous with ‘Early Twentieth Century’ to include all kinds of texts published at that time. The conclusion will present Lise’s digital map of publishers in New York in the 1920s, part of a chapter forthcoming with Cambridge University Press. (more…)
Matt Hayler (University of Birmingham) will be presenting his paper, ‘Digital and Ambient Literature: How Resistance Was Futile and the Future of Books Might Not Be Awful’, at 5.30pm on Tuesday, 21 March 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 2.48, and will be followed by a wine reception.
Abstract What difference does digitisation make? This talk will compare the ways in which digital and printed book bodies might mean, taking their embodiment seriously and thinking through the work that it might do in entanglement with the bodies of their readers. As we develop new grammars of use for digital texts we see that they are anything but ghostly or ephemeral, instead capable of meaning in their form just as much as works in print – our resistance comes from somewhere else. These ideas will be further thought through in a discussion of the AHRC Ambient Literature project which explores the interactions of readers, digital texts, and lived places. What means, how, and in what configurations is a rich question, and my answer, at least in part, is a posthuman understanding of where sites of knowledge, and what is to be known, might be located. (more…)