The 2018/19 programme of speakers at the Centre for Editorial and Intertextual Research is now available to view on our Events: Speakers Programme page. Talks this session from a range of national and international scholars explore a variety of subjects, including digital culture and the technology of literature, the ghost stories that inspired Frankenstein, book fairs and book societies, and reading history in the 18th century. The talks will be followed by wine reception, and all are welcome!
Peter Garside (University of Edinburgh) will be presenting his paper, ‘Scott As A European Poet: On Editing His Shorter Verse’, at 5.30pm on Monday, 30 April 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31, and will be followed by a wine reception.
The talk will concern preparation for a new scholarly edition of Scott’s Shorter Verse, due to appear next year as the second volume to be published in the Edinburgh Edition of Walter Scott’s Poetry (EEWSP). It will focus on the large proportions of items in this new volume with strong European connections, either in representing translations or reworking of foreign-language texts or more broadly reflecting Scott’s transnational concerns. Consideration will also be given to Scott’s lifelong preoccupation with political affairs on a European scale, and more especially resistance to the forces of Napoleonic ‘universalism’. Lastly, it will offer some tentative suggestions as to how this might (or might not) relate to current debates concerning Brexit.
The 2016/17 programme of speakers at the Centre for Editorial and Intertextual Research is now available to view on our Events: Speakers Programme page. Talks this session from a range of national and international scholars will explore a variety of subjects, including digital literature, Romantic poetry and eighteenth-century drama, book history and modernism, and postmodern fiction. The talks will be followed by wine reception, and all are welcome!
Horace Walpole’s Enchanted Castles
Dale Townshend, Tuesday 16 Feb 2016, CEIR Seminar Series
Since the publication of Horace Walpole’s The Castle of Otranto in December 1764, much debate has surrounded the origin of, what has been repeatedly described as, the first gothic novel. In an attempt to pinpoint the real architectural sources of the text’s haunting fortress, Dale Townshend’s paper exposed us to the various literary Gothic localities with which Walpole’s work converses. Yet, it was not until the publication of the second edition of the text in 1765 that Walpole identified his work openly with the gothic tradition, choosing to publish the novel with the sub-title ‘A Gothic Story’. It was also in this publication that Walpole acknowledged himself as the writer of the piece (using the initials ‘H.W.’, revealing that the ‘translator’ of the first edition, William Marshal, was in fact a pseudonym for himself. Much mystery, then, surrounded the publication of the work, leaving readers to question the source of this mysterious story, as well the site of its ghostly location. (more…)
Dale Townshend (University of Stirling) will be presenting his paper, ‘Horace Walpole’s Enchanted Castles’, at 5.30pm on Tuesday, 16 February 2016. The talk will take place in the Cardiff University’s John Percival Building, Room 4.43, and will be followed by a wine reception.
Ever since Horace Walpole in the second edition of The Castle of Otranto (1765) disclosed his authorship of his ‘Gothic Story’, it has been assumed that the ‘real’ and ‘particular’ castle to which he, in his guise as the ‘translator’ William Marshal, referred in the Preface to the first edition of the novel was Strawberry Hill, the ‘little Gothic castle’ in Twickenham that he had set about ‘Gothicizing’ since the late 1740s. As I seek to demonstrate in this paper, however, this is really only half of the story, for while the castle at Otranto certainly, as Walpole would later phrase it, ‘puts one in mind’ of Strawberry Hill, it also looks to the architectural formations of ‘ancient’ or ‘Gothic’ romance for its structure, its effects, and even its eventual disappearance. More specifically, I argue, Manfred’s castle at Otranto is, in a number of respects, a reworking of the trope of the enchanted castle that featured so prominently in the epic romances of Torquato Tasso, Ludovico Ariosto, Edmund Spenser, and others. And if The Castle of Otranto is, indeed, closely linked to Strawberry Hill, I argue that this is not simply because Walpole ‘writes’ his home into his novel, but because both fiction and house looked to the architectural structures of medieval romance as their ultimate point of inspiration. Having explored the trope of the enchanted castle as it figures in The Castle of Otranto and Walpole’s correspondence around Strawberry Hill, I conclude by tracing its uptake in the later Gothic dramas and fictions of Miles Peter Andrews, Clara Reeve, Anna Laetitia Aikin and Ann Radcliffe. (more…)