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CFP: WORD, IMAGE, DIGITAL, Cardiff University, 1 Nov 2016

A One-Day Symposium
Cardiff University, Tuesday, 1 November 2016

Keynote Speaker: Michaela Mahlberg (University of Birmingham)

Download the PDF Here: cfp-wordimagedigital

Cardiff University’s Digital Cultures Network is delighted to announce its first Symposium on Word, Image and the Digital. Word and image, and the interplay between them, remain under explored and under-theorised in the digital humanities, despite the creation of pioneering digital archives including The William Blake Archive, the Rossetti Archive and The Illustration Archive. There is a sense, however, in which the digital is not only ‘graphical’ (as Johanna Drucker reminds us), but also a space where the visual and textual are in constant dialogue.

We invite proposals of up to 300 words for 20-minute papers that explore any aspect of the dynamic between word, image and the digital, including demonstrations of current projects. The deadline for submission of abstracts is Monday, 3 October 2016. Please send proposals or enquiries to Michael Goodman (GoodmanMJ@cardiff.ac.uk). Attendance at the Symposium is free and limited to no more than 30 delegates. While non-speaking delegates are welcome, priority will be given to speakers. (more…)

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CEIR speaker, 13 Nov 2012: Becky Munford on women, trousers and Modernism

Becky Munford (Cardiff) will be presenting her  paper, ‘ “An Unconquerable Thirst for Trousers”: Fashioning the Modernist Subject’, at 5.30pm on Tuesday, 13 November 2012. The talk will take place in the Cardiff Humanities Building, Room 2.48.

Abstract

The garment in which Vanessa was left sitting was her TROUSERS : Tρονδερς: trousers: trousers now, does the obtuse beast understand?
(Virginia Woolf, letter to Emma Vaughan, 20 April 1899)

On 27 May 1876, a New York Times article identified ‘an abnormal and unconquerable thirst for trousers’ as one of the most horrifying symptoms of dress reform, a ‘curious disease’ with a ‘near relation to hysteria’. As this gothic register suggests, the pathologisation of the ‘woman in trousers’ reflects broader cultural anxieties about the instability of gender and sexual identities. Linked with periods of social and political upheaval, women’s liberation, radical thought, aesthetic innovation and erotic freedom, trouser-wearing women have historically represented an illegitimate assumption of male authority and power that destabilises fixed notions of sexual difference and threatens the very fabric of the social order. Beginning with a brief literary and visual tour of the fraught history of trouser-wearing women, this paper will focus on the role played by trousers in fashioning modern subjects in the early decades of the twentieth century. With particular reference to the work of Virginia Woolf and Djuna Barnes, it will analyse the complex, and often contradictory, meanings attached to trousers as symptomatic of modernist women’s broader fascination with sartorial and aesthetic styling.

(more…)

DMVI Phase 2 launch

Lift off!

On 29 September 2011, the enhanced version of the Database of Mid-Victorian Illustration was officially launched. A select coterie of dignitaries gathered in Cardiff University’s Special Collections and Archives (SCOLAR) to get the first glimpse of the revamped DMVI website and the innovative features that the enhanced version will contain.

The launch went remarkably smoothly – or at least as smoothly as anything involving computers and at least three different academic institutions can. Special thanks go to Mike Pidd and Matt Groves from the Humanities Research Institute (HRI) at the University of Sheffield for coming all the way to South Wales to deliver their presentation. The efforts of the HRI team have been fundamental to the reconfiguration of the database. They have done the hard computing work, and produced an open-source back-end structure that allows the search and display capabilities of DMVI to be significantly more flexible and dynamic. (more…)

CFP: Panel on ‘New Directions in Victorian Illustration Studies’

Dr Julia Thomas is chairing a panel on New Directions in Victorian Illustration Studies’ at the conference on Victorian Media organized by the Victorian Studies Association of Western Canada, to be held on 26–28 April 2012 in Victoria, British Columbia, Canada (further details below). The panel will address the idea that the presence of pictures radically alters the meanings of Victorian texts, and will explore the contexts in which illustrations appear in this period and in which they re-appear (or disappear) today. Papers on any aspect of Victorian illustration are welcome. Please send abstracts of 500 words and a short 75-word biography to Julia Thomas at ThomasJ1@cardiff.ac.uk by Friday, 30 September 2011.

This conference will focus on the theme of media in relation to Victorian culture and knowledge: that is, the relation of Victorian media to the culture of the period and the relation of new media to the study, dissemination, and archiving of Victorian materials. The conference’s keynote speaker will be Matthew Rubery (Department of English at Queen Mary, University of London). Dr Rubery is the author of The Novelty of Newspapers: Victorian Fiction after the Invention of the News (2009), which won the European Society for the Study of English First Book Award in 2010. He is currently at work on a monograph entitled The Untold Story of the Talking Book, a history of recorded literature since the invention of the phonograph in 1877. The conference will also feature a workshop on Victorian print materials led by Prof. Brian Maidment (University of Salford), author of Comedy, Caricature and the Social Order 1820–1850 and Reading Popular Prints 1790–1870. This workshop will provide a hands-on opportunity to analyze original Victorian materials guided by an expert on print media and production methods.

Image searching of classical artefacts using the semantic web