‘The world is a large volume’: The Lady’s Magazine and Romantic Print Culture
Jennie Batchelor, Tuesday 1 Dec 2015, CEIR Seminar Series
When I met Jennie Batchelor (University of Kent) in the CEIR office about an hour before she was due to speak, it was with an air of excitement that she, jokingly, asked if the paper could wait: she was having far too much fun in Cardiff’s Special Collections and Archives, examining copies of The Lady’s Magazine. Her research into this publication is part of a two-year Leverhulme-funded project entitled ‘The Lady’s Magazine (1770–1818): Understanding the Emergence of a Genre’, which aims to provide a bibliographical, statistical and literary–critical analysis of one the first recognisably modern magazines for women. The project aims to produce a host of publications about the contents of and contributors to the magazine, as well as a fully annotated index available online. Thankfully, Batchelor did go ahead with the talk in Cardiff, offering fascinating insights into The Lady’s Magazine and its position in romantic print culture. (more…)
The CIA and the Literary Canon: The Case of Encounter Magazine
Jason Harding, Tuesday 17 Nov 2015, CEIR Seminar Series
Roughly half an hour before Jason Harding (Durham University) arrived to give his paper on ‘The CIA and the Literary Canon: The Case of Encounter Magazine’, Anthony, Mikey and I were trying to think of a good hashtag for the talk’s live-feed on Twitter. Several suggestions were made, including #HardingCIA, or simply #CIA. Anthony, however, cautiously suggested that these could attract unwarranted attention from the organisation, who are, in fact, now users of the social network.
With over one million followers, at first it seems strange that America’s Central Intelligence Agency would make use of a platform that has, in the past, had significant cyber-security issues. The organisation’s Tweets, however, draw very little attention to their work, which leaves their posts quite uninteresting. (They frequently circulate facts about former US Presidents, and post photographs of combat aircraft and military uniforms.) Yet behind this unadventurous façade, their presence on Twitter does suggest covert observance or undercover surveillance, and there is, of course, no way of tracking which pages they frequently monitor. (more…)
Jennie Batchelor (University of Kent) will be presenting her paper, ‘“The world is a large volume”: The Lady’s Magazine and Romantic Print Culture’, at 5.30pm on Tuesday, 1 December 2015. The talk will take place in the Cardiff University’s John Percival Building, Room 2.01, and will be followed by a wine reception.
Abstract This talk examines the position of the Lady’s Magazine: or Entertaining Companion for the Fair Sex (1770–1832) in Romantic-era print culture and the scholarship surrounding it. Aside from the periodical’s extraordinary popularity and longevity, a number of ambitious claims have been made for the Lady’s Magazine’s historical and literary importance. Chief amongst these is Edward Copeland’s 1995 claim that the Lady’s Magazine defined women’s engagement with the world in the Romantic period. This argument is as seductive as it is unsubstantiated. Eighteenth-century periodicalists commonly overlook the title, which emerges after the often lamented if somewhat exaggerated demise of the essay-periodical epitomised by The Tatler and The Spectator. Romanticists, meanwhile, have tended to privilege the self-professedly ‘literary’ magazines of the turn of the century, in which writers such as Hazlitt and Scott, well known for their work in other more canonical genres, were involved.
This paper seeks to address this oversight by explicating how the magazine self-consciously and strategically positioned itself in relationship to the wider and highly competitive literary marketplace in which it thrived against the odds. In making these claims, I draw on initial research findings from our two-year Leverhulme-funded Research Project Grant: ‘The Lady’s Magazine (1770–1818): Understanding the Emergence of a Genre’. The project offers a detailed bibliographical, statistical and literary-critical analysis of one of the first recognisably modern magazines for women from its inception in 1770. In its three-pronged book history/literary critical/digital humanities approach, the project, like this talk, aims to answer two main research questions: 1) What made the Lady’s Magazine one of the most popular and enduring titles of its day?; 2) What effects might an understanding of the magazine’s content, production and circulation have upon own conceptions of Romantic-era print culture, a field still struggling fully to emerge from the shadows of canonical figures and genres?(more…)