Giles Bergel (University of Oxford) will be presenting his paper, ‘Computer Vision, AI and Textual Studies: The State of the Art’, at 5.30pm on Tuesday, 17 March 2020. The talk will take place in the Cardiff University’s John Percival Building, Room 2.01.
Abstract Computer vision has made significant progress in recent years, thanks in part to developments in machine learning (or ‘AI’), and is now beginning to make an impact on textual studies. Computers can, for example, reliably match the same printed page or illustration, or visualise variant typesettings or images. More challenging applications, such as OCR for handwriting, or segmenting documents into meaningful classes, are areas of active research. This presentation will give an account of the state of the art in this area, including several challenges and critical issues for the development of a truly humanistic AI. It will also demonstrate free and open source software tools that researchers can use to make their own images searchable, and will include time for attendees to experiment and learn more about the capabilities and limits of this technology.
Joanna Taylor (University of Manchester) will be presenting her paper, ‘Fitpoet: Walking with Wearables and Dorothy Wordsworth’, at 5.30pm on Monday, 10 February 2020. The talk will take place in the Cardiff University’s John Percival Building, Room 2.01, and will be followed by a wine reception.
Abstract —and not simply by the fact that this shading of forest cannot show the fragrance of balsam[.]
The message at the heart of Eavan Boland’s poem, ‘That the Science of Cartography is Limited’, is a straightforward one: that maps are good at representing where something is, but not at showing why it matters. Digital maps exaggerate these limitations. Notwithstanding attempts to represent digitally the experience of standing in a location (Google’s Street View being the most obvious example), digital maps – like their analogue precursors – cannot comprehend an embodied sense of place. This paper seeks to demonstrate incorporating embodied data alongside a literary text in a mapping environment might transform both how we read, and how we understand the role of embodiment in historical and contemporary place-making.
To do so, it takes as a case study one particular text: Dorothy Wordsworth’s epistolary account of her pioneering ascent of England’s highest mountain, Scafell Pike, on 7 October 1818. It reads this letter alongside data gathered from a recreation of this walk—precisely 200 years later—by a party of researchers, artists and mountaineers who followed in Wordsworth’s footsteps. In part, this was a recreation of an important moment in British Romantic literature and mountaineering history. But, as this paper claims, the recreation was also an opportunity to reflect on the relationship between active reading and digital technologies, wherein the maps created by walking this route might transform the ways we read and respond to the texts the initial ascent inspired. The paper’s ultimate claim is that bringing these two types of data—those generated by author and by reader—together can foreground a phenomenology of place that induces new readings both text and map.(more…)
Anna Mercer (Cardiff University) will be presenting her paper, ‘Manuscripts as Evidence of Collaboration: The Shelleys in 1819’, at 5.30pm on Tuesday, 19 November 2019. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31, and will be followed by a wine reception.
Abstract This paper considers two texts produced by Percy Bysshe Shelley and Mary Wollstonecraft Shelley as evidence of a highly collaborative moment in their literary relationship, and therefore looks beyond their most famous collaboration on Frankenstein (1818). Percy Shelley’s The Cenci and Mary Shelley’s Mathilda are, I argue, ‘sister-works’, particularly in terms of subject matter (dark stories of incest) and with regards to the circumstances of their composition in Italy in 1819. Both productions are influenced by the Shelleys’ mutual fascination with the real history of the Italian Cenci family. My paper shows that by examining the provenance of The Cenci, looking to the manuscript sources and the Shelleys’ process of composition of that drama, a clear case can be made for Mary Shelley’s involvement in her husband’s literary toil during this period. This understanding confirms the reciprocal nature of the Shelleys’ creative exchange, rejecting the (antiquated but persistent) idea that Percy Shelley imposed his ideas on his wife’s first novel Frankenstein, and exploring a more nuanced understanding of the Shelleys as collaborators. In doing so, the paper also seeks to mark 200 years since the composition of The Cenci and Mathilda in 1819.(more…)
In the eighth of an ongoing series of posts, Harriet Gordon, a second-year doctoral candidate based in Cardiff’s Centre for Editorial and Intertextual Research, discusses the early steps of her project: a book historical study of Robert Louis Stevenson’s global literary networks. Harriet’s project is funded by the Arts and Humanities Research Council’s South, West and Wales Doctoral Training Partnership (SWW-DTP).
In previous posts I have discussed Stevenson’s early years of professional authorship, demonstrating his initial reliance on Sidney Colvin before his growing knowledge, confidence and connections in the literary industry enabled him to secure many of his own publishing deals. Once in America, with the vastness of the Atlantic separating him from the literary world of London, he once again became reliant on a few core members of his network. (more…)
In the seventh of an ongoing series of posts, Harriet Gordon, a second-year doctoral candidate based in Cardiff’s Centre for Editorial and Intertextual Research, discusses the early steps of her project: a book historical study of Robert Louis Stevenson’s global literary networks. Harriet’s project is funded by the Arts and Humanities Research Council’s South, West and Wales Doctoral Training Partnership (SWW-DTP).
In 1879, Stevenson boarded a steamship to New York in pursuit of a married woman, who, less than a year later, would become his wife. Despite spanning little more than a year, this period of Stevenson’s life has been seen by many commentators as a watershed moment, for both his literary career and his sense of himself in the world. This life-altering journey began on 6 August 1879 in St Pancras Station. From here, Stevenson took a night train to Glasgow, and the next day left the Clyde for New York on the steamship the Devonia. He was following Fanny Osbourne, who had returned to California and her husband a year before. (more…)