Peter Garside (University of Edinburgh) will be presenting his paper, ‘Scott As A European Poet: On Editing His Shorter Verse’, at 5.30pm on Monday, 30 April 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31, and will be followed by a wine reception.
Abstract The talk will concern preparation for a new scholarly edition of Scott’s Shorter Verse, due to appear next year as the second volume to be published in the Edinburgh Edition of Walter Scott’s Poetry (EEWSP). It will focus on the large proportions of items in this new volume with strong European connections, either in representing translations or reworking of foreign-language texts or more broadly reflecting Scott’s transnational concerns. Consideration will also be given to Scott’s lifelong preoccupation with political affairs on a European scale, and more especially resistance to the forces of Napoleonic ‘universalism’. Lastly, it will offer some tentative suggestions as to how this might (or might not) relate to current debates concerning Brexit.
Bing Jin (University of International Business and Economics, Beijing) will be presenting her paper, ‘Chinese Neo-Victorianism’, at 11.30am on Friday, 11 August 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 2.47. Please note the change of time and venue.
Abstract In this lecture, Prof. Bing Jin will offer a complex analysis of the rise, developments and recent trends in the academic study of the neo-Victorian novel in China, with special focus on such authors as A.S. Byatt, John Fowles and Graham Greene. She will also discuss the different assumptions and approaches in contemporary Chinese (Neo)Victorianist scholarship in contrast to that in Britain.(more…)
Nicky Marsh (University of Southampton) will be presenting her paper, ‘Chasing Dorothy: Gender and Sacrifice in the Work of Thomas Pynchon’, at 5.30pm on Tuesday, 12 December 2017. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31, and will be followed by a wine reception.
Abstract The characters in Thomas Pynchon’s novels, from Gravity’s Rainbow to Against the Day, are constantly trying to catch The Wizard of Oz‘s Dorothy. Yet they never do but when they come close they often realise that it is the wrong Dorothy and in this lingering confusion over who Dorothy really is, I want to suggest, Pynchon points us to the need for a new kind of history for money in early twentieth-century America. He points us not to the bimetal debates with which the original novella has become so synonymous but to the emergence of credit money and its complex relationship to notions of both gender and sacrifice. This paper follows Pynchon as he follows Dorothy and tries to suggest a language for money that can acknowledge this submerged history.
Ted Hughes’s Birthday Letters: An Archive of Writing
Carrie Smith, 21 February 2017, CEIR Seminar Series
In the second paper of the 2017 Centre of Editorial and Intertextual Research Seminar Series, Dr Carrie Smith, a lecturer here at Cardiff University, used the manuscript drafts of Ted Hughes’ final full-length collection, Birthday Letters (1998), to suggest that the collection itself becomes a poetic archive. Drawing on her soon-to-be-completed monograph, Smith argued that from its opening poem, Birthday Letters presents us with accounts of documents that cement the collection in the texture of real life.
Smith began her paper by discussing how archives are organised. Focusing specifically on the British Library and Emory University Library (the latter holds the private library of Ted Hughes), Smith argued that these spaces are usually perceived to be ‘neutral’ in their layout. However, as Smith pointed out, the archive offers a ‘promiscuity of meanings’ because it exists on the border between excision and excess, the limited and the unlimited.  While archives attempt to reserve the past, Smith in her discussion of Birthday Letters revealed that they are inherently unstable. Human decision is involved in how a collection is organised, leading to questions of whether it should be user-friendly (as in the British Library), or if it should respect the original order of the material (as in Emory University Library)? And does either way influence our understanding of the documents? Given these variations, Smith suggested that the archive must be read as a document in itself. (more…)