Owing to the planned industrail action, Dr Mark Towsey’s talk in Cardiff on Tuesday, 25 February 2020 has been cancelled. We will reschedule for next academic year. With apologies for any inconvenience this has caused.
Owing to the disruption to the rail services by Storm Ciara, Dr Joanna Taylor’s talk in Cardiff today has been cancelled. We will reschedule for later this semester or next academic year. With apologies for any inconvenience this has caused.
Joanna Taylor (University of Manchester) will be presenting her paper, ‘Fitpoet: Walking with Wearables and Dorothy Wordsworth’, at 5.30pm on Monday, 10 February 2020. The talk will take place in the Cardiff University’s John Percival Building, Room 2.01, and will be followed by a wine reception.
The message at the heart of Eavan Boland’s poem, ‘That the Science of Cartography is Limited’, is a straightforward one: that maps are good at representing where something is, but not at showing why it matters. Digital maps exaggerate these limitations. Notwithstanding attempts to represent digitally the experience of standing in a location (Google’s Street View being the most obvious example), digital maps – like their analogue precursors – cannot comprehend an embodied sense of place. This paper seeks to demonstrate incorporating embodied data alongside a literary text in a mapping environment might transform both how we read, and how we understand the role of embodiment in historical and contemporary place-making.
To do so, it takes as a case study one particular text: Dorothy Wordsworth’s epistolary account of her pioneering ascent of England’s highest mountain, Scafell Pike, on 7 October 1818. It reads this letter alongside data gathered from a recreation of this walk—precisely 200 years later—by a party of researchers, artists and mountaineers who followed in Wordsworth’s footsteps. In part, this was a recreation of an important moment in British Romantic literature and mountaineering history. But, as this paper claims, the recreation was also an opportunity to reflect on the relationship between active reading and digital technologies, wherein the maps created by walking this route might transform the ways we read and respond to the texts the initial ascent inspired. The paper’s ultimate claim is that bringing these two types of data—those generated by author and by reader—together can foreground a phenomenology of place that induces new readings both text and map. (more…)
Anna Mercer (Cardiff University) will be presenting her paper, ‘Manuscripts as Evidence of Collaboration: The Shelleys in 1819’, at 5.30pm on Tuesday, 19 November 2019. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31, and will be followed by a wine reception.
This paper considers two texts produced by Percy Bysshe Shelley and Mary Wollstonecraft Shelley as evidence of a highly collaborative moment in their literary relationship, and therefore looks beyond their most famous collaboration on Frankenstein (1818). Percy Shelley’s The Cenci and Mary Shelley’s Mathilda are, I argue, ‘sister-works’, particularly in terms of subject matter (dark stories of incest) and with regards to the circumstances of their composition in Italy in 1819. Both productions are influenced by the Shelleys’ mutual fascination with the real history of the Italian Cenci family. My paper shows that by examining the provenance of The Cenci, looking to the manuscript sources and the Shelleys’ process of composition of that drama, a clear case can be made for Mary Shelley’s involvement in her husband’s literary toil during this period. This understanding confirms the reciprocal nature of the Shelleys’ creative exchange, rejecting the (antiquated but persistent) idea that Percy Shelley imposed his ideas on his wife’s first novel Frankenstein, and exploring a more nuanced understanding of the Shelleys as collaborators. In doing so, the paper also seeks to mark 200 years since the composition of The Cenci and Mathilda in 1819. (more…)
Nathalie Saudo-Welby (Université de Picardie, Amiens) will be presenting her paper, ‘Women and Parody in the British Isles’, at 5.30pm on Tuesday, 12 November 2019. The talk will take place in the Cardiff University’s John Percival Building, Room 0.31, and will be followed by a wine reception.
Women scholars are well-represented among theorists and analysts of parody, but the engagement of women authors with parody has been neglected. However, the British literary tradition includes many highly respected – and parodiable – female authors while, for many women, writing has meant ‘revision […] an act of survival’ (Adrienne Rich). Women’s writing has indeed often been judged secondary in intention, scope and even literary value. So, how can women’s engagement with parody be read? This research paper will work towards an interpretation of the under-representation of women writers in anthologies of parody, both as parodied authors and as parodists. In order to do so, this talk will also consider the place assigned to women involved or caught in literary hoaxes or situations involving parody. (more…)